pat martino sunny 7

After logging in you can close it and return to this page. On a personal note, Pat is ever so close to meeting his GoFundMe goal that I thought maybe we could do something to help bring it up to goal by possibly letting people who weren’t aware of Pat’s circumstances. Love the trademark bumblebee quote — it’s in Pat’s famous recording of “Impressions”, as well — and I never thought of it that way, but the rapidity of his playing is reminiscent of Coltrane in the late 50’s, especially on recordings with Monk. [5] Pat Martino has been also referred to as a man who had to struggle to survive because of his health problem that threatened his outstanding career. Well worth several listens". But, by breaking down his solos into phrases, analyzing those phrases, and taking the underlying concepts to your own playing, you will be able to get that legendary Pat vibe in your solos. A skip is defined as as any melodic movement that is greater than a major 2nd. I asked Joe to write me an email that I could share. He wants to know how everyone is doing and very concerned about the well being of some of the more susceptible people he may know. His talents outshines his peers for being extraordinarily versatile. Here’s another repeated Pat Martino lick, though this time the line is not based on arpeggios or pentatonic scales, as you saw in the first two repeated lines in this lesson. is a live album by guitarist Pat Martino which was recorded in 1972 and first released on the Muse label. Pat Martino/Live! As well, there is a repeated melodic phrase used in this line, combining two of Martino’s favorite concepts for building energy in his improvised lines. From there, come up with your own melodic phrase to repeat in your solos. His talents outshines his peers for being extraordinarily versatile. Instead, the line is highly chromatic, running six chromatic notes in a row during the repeated phrase, from F down to C. When doing so, Martino starts the lick on the 2nd 16th note of the phrase, which also gives it a syncopated feel as you repeat the phrase over a series of measures, as you can hear in the lick below. Hector Manuel Quintana, Artist of the Week. Practice taking this melodic pattern, heard in the second half of the Am7 bar at the start of the line, and repeat it when soloing in your practice routine. Great article! Sunny: 10:25: Credits Bass ... 1-5, 6, 7, 8), Ron Thomas (2) (tracks: 9-11) Guitar – Pat Martino; Percussion – Eddie Green (3) (tracks: 5) Barcode and Other Identifiers Barcode: 6 04123 20502 3; Recommendations Reviews Add Review [r7137696] Release. Though it is simple on paper, getting this lick even and repeating is for longer periods can be tough. These are difficult times no doubt but if you have the means please consider a donation. He made a remarkable comeback at the beginning of the eighties. Hector came to our attention via one of our JGT contributors – thanks John Stowell! When working on double stops on your own, you can take them from arpeggios, minor pentatonic scales, or modes in your solos. He is a computer buff and likes to dabble with some funny apps, cartoons or funny limericks to get a laugh – he is a prankster as well! Go slow, use a metronome, and nail the rhythm for each note in your studies. This Pat Martino Lick is also built around a C major arpeggio over an Am7 chord. You’ll notice diatonic arpeggios being used in the following ways: As you can see, there are some arpeggios that outline the direct chord that Pat’s soloing over, while others are subs that come from the related key center. It took him years to recover and get back to his old form, partly by listening to his old records. The key is to use the repeated phrase to build energy, but know when to move on in your lines so that the lick doesn’t become overdone. [1][2], Allmusic awarded the album 4½ stars stating "Martino performs music that falls between advanced hard bop, fusion and the avant-garde without really fitting into any of the genres. In this lesson you'll learn 5 licks from his amazing Sunny solo + 2 dominant licks + 3 minor licks over Am7. Jazz Guitar Licks Index – Licks From Over 40 Great Jazz Musicians, 5 Paul Desmond Licks From The Take 5 Solo, Bang Bang (My Baby Shot Me Down) – Nancy Sinatra, The first concept to explore is the opening four notes of the line (A-B-G#-A). Sunny was performed and recorded by hundreds of artists, including Marvin Gaye, Stevie Wonder, James Brown, and Shirley Bassey. Pat Martino is one of the greatest players to ever pick up the guitar. The song also found its way into jazz repertoire, played by jazz greats such as Frank Sinatra (with Duke Ellington), Wes Montgomery, Ella Fitzgerald, Stanley Jordan, Jimmy Smith and Oscar Peterson (with Joe Pass and Ray Brown). This lick uses a simple rhythmic idea (a three-note 8th-note pattern) which is repeated to create a syncopated feel throughout the line. If you continue to use this site we will assume that you are happy with it. In our discussion about Pat Martino, I am still very concerned about his current condition. Best always, Bob. There are so many stories and moments to talk about, that we always have a moment to reminisce, especially about his young life on the road with the older musicians. Considered a guitar protégé in his early days, he has kept up to it till today by embracing in his music innovation, progression and a distinct technique. Pat Martino Licks – Melodic Line 7 Martino demonstrates a nearly one octave skip in the first measure between beats 3 and 4 of melodic line 7 (Figure 22). As far as repetition goes, it’s cool if it’s fun — for instance, there’s a youtube video with Pat, John Scofield, and Joey DeFrancesco, and Scofield is smiling while Pat’s playing the same four notes for one chorus plus. Incidentally, he’s not the first soloist to quote Bumblebee — on Jimmy Smiths’s “Sermon”, the alto player quotes it. This is another arpeggio concept you can take from this lick and work it in other keys and over other chords. The above video is one of his last concerts in Italy. Pat Martino emerged as a jazz guitarist in the sixties, releasing his first album El Hombre in 1967. If you are interested in Pat’s playing, then owning and studying the soloing concepts in this book is essential. The first lick is a V – I minor key phrase that uses the C harmonic minor scale to outline the b9 and b13 intervals over the G7 chord in the progression. This pattern is not only found in Martino’s playing but is also a favorite of. Copyright Jazz Guitar Online 2020 © All rights Reserved. If the second chord would be a major chord, change the last note to an E natural in order to resolve it to a Cmaj7 chord rather than a Cm7 chord.

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