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ef16 35mm f4l is usm 5

I wanted wide angles, but was willing to sacrifice wide apertures for lighter weight and ultimate image quality. A very slow trail-off in keeper rate ensued and with an occasional sharp image at exposures as long as an unreal 2.5 seconds (as shared above and a new record for me). image stabilization can make the difference needed for sharp image capture. Manufacturer description: Delivering the ultimate combination of wide-angle, low-light performance, L-series optics and compact construction, the new Canon EF 16–35mm f/4L IS USM lens is a phenomenal complement to any EOS SLR camera. AI Servo performance is equally impressive, but again, it is hard to stress AI Servo AF with ultra-wide focal lengths and an f/4 max aperture. FL3.src = 'https://media.the-digital-picture.com/Images/Other/Canon-EF-16-35mm-f-4-L-IS-USM-Lens/Focal-Length/24mm.jpg' Get the telephoto lens out for your tightly-framed portraits. I would like to think that Canon designed this lens at my request (sometimes being delusional makes one happy). Wideangle zoom lens | Canon EF | 9518B002. I had strong confidence in what Canon was going to deliver. bigger. It is not hard to recognize the Canon EF 16-35mm f/4L IS USM Lens' lineage. More arguable of course is that there was a demand for an image stabilized full frame-compatible ultra-wide angle zoom lens and Canon moved to meet that need. This lens' measured image stabilization performance is very good, but so is the overall IS design. Similar additional uses for this lens include indoor events such as stage work and brightly-lit parties. document[imgDocID].src = eval(imgObjName + '.src'); The 16-35 L IS' image stabilization feature alone is worth more than the price differential to me. This lens deserves to be in all full frame format landscape kits and the two combinations just mentioned are likely going to be very frequently found in my outdoor adventure packs. And based on the theoretical MTF charts, I really liked what I saw. I don't see much value in adding this accessory. How come the x100 series uses a 23mm lens? A telephoto lens is relatively easy to compose with as there is less background included in the image and that background can be more easily blurred into obscurity. There are not many fast-moving subjects that I want approaching to a close enough distance to fill a 16-35mm frame without some personal protection in place (like a concrete wall). EXT24.src = 'https://media.the-digital-picture.com/Images/Other/Canon-EF-16-35mm-f-4-L-IS-USM-Lens/Canon-16-35mm-IS-Lens-24mm.jpg' COMA24 = new Image(656, 439) The 16-35 L IS shares the focal length range of the 16-35 L II and the max aperture of the 17-40 L. The left side of the chart represents the center of the frame and the right side represents the periphery of the image circle. or using a monopod. When you are not able to hold the camera steady enough for a sharp picture (for reasons including wind, tiredness, unstable footing, the shakes from stress & age, etc. The 16-35 L IS ships with a Canon EW-82 Lens Hood. Canon 16-35mm f/2.8 L II, 16-35mm f/4 L IS and 16-35mm f/2.8 III. Click on the following image to open a comparison (in a new window) that will show the Canon EF 16-35mm f/4L IS USM Lens performing clearly superior to the Canon EF 16-35mm f/2.8L II USM Lens and comparing remarkably well A great option is to combine this lens with the Canon EF 70-200mm f/4L IS USM Lens or FL5.src = 'https://media.the-digital-picture.com/Images/Other/Canon-EF-16-35mm-f-4-L-IS-USM-Lens/Focal-Length/35mm.jpg' It also offers full-time manual focus and has a minimum focusing distance of 0.92 ft./0.28m across the entire zoom range. PR35mm.src = 'https://media.the-digital-picture.com/Images/Other/Canon-EF-16-35mm-f-2.8-L-II-USM-Lens/Perspective-Example/R-35mm.jpg' Sharpness in the centre of the frame is excellent at all apertures and focal lengths, and it took some searching to find the chromatic fringing I had expected to see in the extremities of the frame. For comparison, the focus speed of this lens is similar to that of the 16-35 f/2.8L II and the sound level is even slightly lower. P28mm.src = 'https://media.the-digital-picture.com/Images/Other/Canon-EF-16-35mm-f-2.8-L-II-USM-Lens/Perspective-Example/28mm.jpg' Reducing the aperture opening, as usual, reduces the peripheral shading. FL3 = new Image(656, 439) P35mm = new Image(606, 406) Time will tell. With f/11 shutter speeds landing in the 1/15 to 1/30 range, higher ISO settings are needed for motion-free images. The III indeed delivers slightly MTF3 = new Image(664, 348) The bottom line is that I'm very happy with the shake assistance built into this lens and will make very good use of it. Granted, an f/4 max aperture ultra-wide angle lens is not going to stress an AF system, but this lens is nailing AF nonetheless. PF35mm.src = 'https://media.the-digital-picture.com/Images/Other/Canon-EF-16-35mm-f-2.8-L-II-USM-Lens/Perspective-Example/F-35mm.jpg' What you do not (usually) want in the foreground of your ultra-wide composition is a person's nose.

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